The Independence Thing – by Sarah Renwick
I’ve been called a bra burner. A man hater. A femi-nazi. A bitch. But what nobody realizes is that those words don’t hurt. What hurts is that people label me as a cold and sarcastic person who is too independent. …
Student refugee program – by Meagan Porter
I’m warning you right now that this story will tug on your heart strings. I’ m serious, I’ m about to give a voice to a program that
The Impact of Community Television – by Patti Berardi
When I was 5 years old I used to carry around my ghetto blaster and interview everyone in my family, including my cat Ming. I have fond memories
The klout of social media – by Robert Lavigne
Stephen King once said that he gets paid to write about his nightmares. I awoke on a cold morning from a nightmare myself and it spawned this article.
It takes a community to raise a theatre – by Kevin Magee
If you’ve ever wondered who the guy is that is accountable for everything that happens at the Sanderson Centre, it’s me. My name is Kevin Magee and I’m
Sugar & Spice & Puppy Dog Tails – by Lisa Wood
It’s Diversity Week at Laurier Brantford, and I’m sitting in a lecture hall with faculty, staff, students, and community members, listening to Karleen Pendleton Jiménez talk about gender
Made in Brantford – by Rob Michalchuk
Traveling around when I perform live I often get asked what the scene is like where I come from. When I talk to people in larger cities, and tell
Brantford: time to talk about the creative economy – by Marc Laferriere
Photo courtesy of Ida Adamowicz I was a working artist once. Wait, let me explain. For about 5 years I worked in the media. I was the Executive Producer of
How Paul Simon Changed My Life – by Dave Carrol, Illustration by Steve Boyd
I didn’t used to like our culture very much. I became more jaded about the futility of societal ills than a young person should ever be. Thankfully, Paul
Steve McGhee, Pixels and ‘Disaster Porn’ – by Lucas Duguid
The bio of digital artist Steve Mcghee includes a rather unique disclaimer: “My work is in no way intended to glorify or condone acts of terrorism or celebrate
















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